Class has started again after the break at the Sharon Art Studio. I first began taking classes here 12 years ago. I started with glass, then enameling and jewelery, small metal work, now back downstairs for glass again. I have the same teacher that I did 12 years ago, and nothing has changed. The studio is a beautiful building on the edge of Sharon Meadow in GGP, just above the Haight. It looks like a fairy tale cottage made of stone blocks with a steep roof. The glass studio portion is on the main floor. The room has a very high vaulted ceiling with decorative, open beams. Tall windows line the walls on three sides filling the room with light, and offering views into the park. What a wonderful place to create. I am the youngest person in my small class. Most folks are over 50 and have been working in the studio for many years. I pull my work in progress from my little cubby shelf and gather my tools from the closet. I stake my claim on a large table and plug into my iPod. For just a few hours a week I can tune out and let my hands work. Cutting out the pattern piece by piece. Tracing the pattern piece onto glass with a sharpie, then dipping the cutter in oil and with a careful eye, tounge wedged into the corner of my mouth I trace the line with a cutter. Once you start the cut, you can't stop until you're done. Just enough pressure. I tap the glass for luck, then using a small breaker, snap the shape out. Of course it doesn't fit as perfectly as it should, so I carefully grind an edge or two until it fits against the other pieces, nice and snug. Then I cut the lead, trim the edges and wrap it against the new piece. Slowly, meticulously I plod along. A few more months, and it will be done, catching the light and gleaming colors into my living room for years to come.
Saturday, January 6, 2007
Sharon Art Studio
Class has started again after the break at the Sharon Art Studio. I first began taking classes here 12 years ago. I started with glass, then enameling and jewelery, small metal work, now back downstairs for glass again. I have the same teacher that I did 12 years ago, and nothing has changed. The studio is a beautiful building on the edge of Sharon Meadow in GGP, just above the Haight. It looks like a fairy tale cottage made of stone blocks with a steep roof. The glass studio portion is on the main floor. The room has a very high vaulted ceiling with decorative, open beams. Tall windows line the walls on three sides filling the room with light, and offering views into the park. What a wonderful place to create. I am the youngest person in my small class. Most folks are over 50 and have been working in the studio for many years. I pull my work in progress from my little cubby shelf and gather my tools from the closet. I stake my claim on a large table and plug into my iPod. For just a few hours a week I can tune out and let my hands work. Cutting out the pattern piece by piece. Tracing the pattern piece onto glass with a sharpie, then dipping the cutter in oil and with a careful eye, tounge wedged into the corner of my mouth I trace the line with a cutter. Once you start the cut, you can't stop until you're done. Just enough pressure. I tap the glass for luck, then using a small breaker, snap the shape out. Of course it doesn't fit as perfectly as it should, so I carefully grind an edge or two until it fits against the other pieces, nice and snug. Then I cut the lead, trim the edges and wrap it against the new piece. Slowly, meticulously I plod along. A few more months, and it will be done, catching the light and gleaming colors into my living room for years to come.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment